5.5” LCD, 1920×1152 Resolution
High resolution, brighter full of colors
The FW568 V2 provides a sharp image, ideal for focus pulling and image analysis on set and in the field. With native 1920×1152 high resolution and 16:9 display, 500cd/m2 brightness, 1000:1 contrast ratio, delivers excellent detail, so you can enjoy sharper and richer colors image, full-screen display uniform, no difference, no trailing. Its size, weight and resolution make it an attractive option for DSLR shooters looking to attach it straight to the camera.
Large Viewing Angles for All-round Visibility
IPS monitor, gives you a large visual view to enjoy, offers consistent image clarity and colors from 160-degree viewing angle vertically and horizontally. And the wide viewing angle makes it easy for multiple crew members to watch at the same time.
True Color · Professional Color Calibration
Use Rec.709 color standard
Accurate color reproduction
Intuitive Controls and Menus
The menu controls are intuitive and easy to use. Two different feature buttons which are programmable to the various features that you use the most.
4K HDMI Input & Loop Output
The FW568 has 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. The HDMI output can transmission to broadcast monitor, convenience director and photographer monitoring at the same time.
Flexible Install Both on Camera and Gimbal
If you install it on the bottom of the device, you can also combine the image flip function to maintain the correct orientation of the screen!
FW568 equipped with one 1/4 screw, if you also want to fast install at gimbal, you can buy one more 1/4 screw.
Newest Sunshade Design, Easy Install
The FW568 monitor is equipped with a sunshade, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience.
Embedded Audio Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. The audio meter is green, and will turn yellow when exceeds -20dB, and turn red when exceeds -9dB.
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the putline color between red, green, blue according to different tone of the subject.
The False Colors filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. 1-100IRE adjustable.
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (4X, 9X, 16X)
Image magnification is HD signal in any part, an amplification for high quality close-up.
Anamorphic Mode (1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20X~2.00X)
Built-in selection of no squeeze, 1.3× or 2.0× allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0× mag mode, magnifies the center of your image so you can check the focus of your scaled image.
The Horizontal,Vertical and Hor&Ver of the image around flip.
Zoom one of the images to realize the full screen. You can switch the Mark color between Red, Green, Blue, White, Black according to different tone of the subject.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safe Marker
Safe Mark for View Finding and Composition (80%, 85%, 90%, 93%, 96%, 2.35:1). You can switch the Mark color between Red, Green, Blue, White and Black according to different tone of the subject.
(4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1). Frame blanking zone includes 6 Levels, from 0-6 (Transparent to Black). You can switch the Mark color between red, green, blue, white and black according to different tone of the subject.
Model FW568 V2
Screen Size 5.5″ IPS
Resolution 1920×1152 pixels
Pixel Pitch 0.0639 (H) x 0.0213 (W) mm
Aspect Ratio 16:9
Contrast Ratio 1000:1
Viewing Angle 80°/80°(L/R) 80°/80°(U/D)
1 X HDMI HDMI
1 X HDMI HDMI
1 X DC Output DC Output
Audio Stereo Headphone
HDMI Input/ Output Support Format
1080p (60/59.94/50/30/29.97/25/24/24sF/23.98/ 23.98sF)
4K UHD 3840×2160p (30/29.97/25/24/23.98Hz), 4096×2160p (24Hz)
Input Voltage DC7～24V
Power Consumption ≤9W
Power Connector DC
Working Temperature -20°C~55°C
Storage Temperature -30°C~65°C
Install Way ¼-20 thread points
Unit Size 142Lx87.2Hx27.5D (mm)
Unit Weight 175g
Color Box Size 186L*124W*80H(mm)
Outer Carton Qty 10
Outer Carton Size 465*200*326 (mm)
Gross Weight 6.5kgs
* All Waves
* Waveform (RGB, Y, YUV)
* Histogram (RGB1, Y, RGB2)
* Peaking Focus Assist (Red, Green, Blue three colors optional highlight over parts of the image in focus)
* False Colors
* Zebra Exposure (1-100IRE adjustable)
* Check Field (Red, Green, Blue, Mono)
* Scan Mode (Under Scan, Over Scan)
* Anamorphic Mode (1.3x, 2.0x, 2.0x mag)
* Image Flip (H, V, H/V)
* Image Freeze
* Center Marker
* Screen Marker (80%,85%,90%,93%,96%, 2.35:1)
* Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1)
* Color Temperature Adjustment
* Nine Grid (Zoom one of the images to realize the full screen)
* Zoom (4X, 9X, 16X)
* Aspect Ratio
* Pixel to Pixel
* Zoom All
* U/D Zoom
* L/R Zoom